Taylor writes freelance for numerous publications and websites. She has interned at four magazines, including Pointe Magazine and The New Yorker. She was the Features Editor of her college paper, The Monitor, and a contributor to the college magazine. She has a Masters Degree in Publishing and a BA degree in Communication Arts.

She completed a Writing on Dance workshop at Dance Theater Workshop with New York Times critic Claudia La Rocco in May 2008 and was a member of the Dance Critics Association.

Her dance and fitness writing has appeared in Dance Teacher, Pointe, Dance Spirit, movmnt, Dancer MagazineQuick & Simple, Milford Daily News, M Life Magazine (Las Vegas), The Monitor, The C-Magazine, ExploreDance.com, OffOffOnline.com, CastingNewYork.com, The Keystone Connection Newsletter, on The Winger blog, and other publications.


She also publishes, writes and edits newsletters for Ballet Academy East and the e-newsletter for Kat Wildish.
She has been an editorial & publicity consultant for numerous small dance companies and is available on a project-basis.
Partial List of Published Works

FEATURES

*M Life Magazine
       *Movmnt Magazine
*Dance Teacher Magazine
*Tip-Top Toes
*Ballet Academy East Newsletters
*Dancer Magazine
*Dance Spirit Magazine
*CastingNewYork.com

CRITICISM
*ExploreDance.com
*Pointe Magazine
*OffOffOnline.com

THE MONITOR
at MARYMOUNT MANHATTAN COLLEGE
*Dec. 2007 issue
*Nov. 2007 issue
*Twyla Tharp's Fugue
*MMC Adds Photography Major
*Honors Day Celebrates Achievement
*Second Avenue Subway Possibility
*Freshman 15 in Seventeen Magazine
*How to: Auditions & Casting Calls
*Philosophy & Religious Studies Major Added
*The Perfect Apartment
Creative Writing Sample
Are we Human or are we Dancers?
(excerpt from a blog entry)

...If, as a dancer I were not human, I wouldn’t feel my achilles tendon shredding slowly with every plie, for starters. My back wouldn’t pop, your knees wouldn’t crack, and my teacher’s hips wouldn’t give with years. We would not be bound in a single fragile body, for better or worse. If the young dancer were not human, she would not care that she misses play dates and birthday parties to be at the barre. And we wouldn’t desire to improve, to please, to grow at an expense. But what kind of dancer is that?

Being “just a dancer” would mean a world of perfection. Without humanity there would be no jealousy. No dancers’ arched feet would be enviable, no “trina” too skinny, no attacks to our self-esteem. What self could we know? Casting would not shed a shadow on the underdogs. A faulty performance would be a speck in the glassy sand. A trip onstage would never happen – only humans make mistakes.

Those icons before us would never retire. They would not pass away, involuntarily stealing their knowledge from nourishing young starving artists. Immortality would grace Balanchine, Robbins, Nijinsky, Nureyev, Diaghilev, and so many more.

Your heart would not shudder when Juliet, Odette, or Giselle dies.

My bun would not frizz after sweating at barre. And forget about our animalistic senses. I wouldn’t need eye contact, acknowledgement. Who wants to be able to see that spotlight anyway? I wouldn’t smell those surprise yellow roses at the stage door, or the musk of an old tutu. The dry thirst of grande allegro would quench itself. That blister, the ingrained leotard strap, the stabbing bobby pin, the raw slice of a drawstring, would go unfelt.

And music, unheard?

You wouldn’t rouge like a tomato after doing the wrong step. Smiles wouldn’t be contagious. Though nor would frowns. There would be no voices to drown out. Dancers don’t talk.

We would never be short of breath. We’d have none.

Time off would not be hard to stomach. Digesting artistic meaning would be obsolete. A weightless wonder, we could fly with no impacting burden to our bones. I’d have a better arch. Maybe a sixth toe for stability. And turnout, please.

But no pleasure to be felt with your partner’s touch. You couldn’t bear a little dancer of your own. You wouldn’t want to. You’d dance alone. We would sense nothing of community with those moving around us. No corps. Who needs chemistry in a pas de deux? We would feel no loyalty, trust, appreciation, respect, love for our leaders, our teachers. No admiration. No motivation.

Applause wouldn’t stimulate. Correction would be unnecessary. Comfort wouldn’t be found in the dailyness of class, only robotic repetition. We would be obedient, never questioning how or why. Never innovating.

I wouldn’t tire. I would sleep. Peace should be constant.

The human condition plagues us. Dance is not an antidote. It’s a symptom, our way of coping, our expression of the soul that is the essence of our individual humanness. Why would one classify us as otherworldly, or different? Is it not enough to be human?

The same gifts and hazards that identify a human life, breed a dancer.

If I were not human, my heart would not ache every time the curtain tears closed before my wet eyelashes. I would not love what I do.
TAYLOR GORDON
"Follow your dreams." But why be a follower when you can be a leader?
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"Off Center"
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